Category: A&E – Film & TV

Why We Need the Dark Side: The Politics of Star Wars

As many have written about and discussed over the years, the Star Wars franchise is a story (albeit long and winding) about politics. Like all good political narratives, there is drama, love, disagreement, deception, civil war, and countless limbs chopped off. As a political science major watching the Star Wars series for the first time, […]

Lucy Droege ’26

Edelweiss at 60: Celebrating The Sound of Music 

I have been eagerly anticipating writing this article celebrating the 60th anniversary of the iconic film, The Sound of Music (1965). The movie, which was released in the United States on March 2, 1965, was re-released in U.S. theaters Sept. 12–17, celebrating 60 years of the film and reviving its beauty in 4K.  The film […]

Isabelle Camoin ’26

Guillermo del Toro’s Frankenstein

A Faithful Adaptation, or a Whole New Cinematic Experience? Very few directors these days are known for their artistic style or consistency in themes across works. “The mark of the auteur,” as your film minor friend might say to you, has been lost on the modern-day director, as more and more of them feel the […]

Luca DeLucia ’28

“The World Will Be Alright”

A Paddington 2 Review What better way to get to know your roommate than to share your favorite childhood movies? For my roommate and me, Paul King’s Paddington 2 (2017) made the top of the list. Paddington 2 follows everyone’s favorite Peruvian, blue coat and red hat-wearing, marmalade-loving bear, named after London’s Paddington Station. The […]

Sophia Caneira ’29

Twin Peaks: Fire Walk with Me and the Legacy of Laura Palmer

“I always thought you knew it was me,” is perhaps the most haunting line in all of cinema,uttered by the character Leland Palmer (Ray Wise) in David Lynch’s surreal thriller Twin Peaks: Fire Walk with Me (1992). The film is a prequel to the series Twin Peaks (1990–1991) and follows the character Laura Palmer in […]

Sydney King ’26

Distinctly His Own Work: The Grand Budapest Hotel

Wes Anderson, known for his auteur style of literary geek, used a post-post-modernism approach in the creation of the film, The Grand Budapest Hotel (2014). Post-post-modernism—a style that embodies the goal of recovering the sincerity of film, focusing on existentialism, ethics, morality, and the absurdity of coincidences—ties in with Anderson’s distinct and vibrant visual style, […]

Tyler Bellavance ’29

The Texas Chainsaw Massacre: The Essential Halloween Movie

I’ve seen many, many horror movies in my time. A lot of them have become what I call “Hollywoodified,” pretty stupid and not very scary. Others, however, truly live up to their reputation and are legitimately terrifying. Recently, in anticipation of Halloween (my favorite holiday), I watched The Texas Chainsaw Massacre (1974), and I was […]

Thomas Marinelli ’26

Just a Bunch of Hocus Pocus

Every fall, as the leaves turn and pumpkins appear on porches, Hocus Pocus seems to rise from the grave once again. What began as a forgotten Disney movie in the early ’90s has become a Halloween tradition that fans return to year after year, not for the scares, but for the comfort. When Hocus Pocus […]

Reese Cassidy ’28

It’s the Great Pumpkin, Charlie Brown 

With Halloween just around the corner and Charles M. Schulz’s Peanuts turning 75 earlier this month, it seems only fitting that we count It’s the Great Pumpkin, Charlie Brown (1966) among the best spooky movies to watch this season. Growing up, A Charlie Brown Christmas (1965) was the most frequently watched of the Peanuts movies […]

Sophia Caneira ’29

Nosferatu: A Year Later

Nosferatu (2024) is a horror-mystery film directed by Robert Eggers and released during the holiday season just less than a full year ago. However, as we approach the spooky season once more, it feels like the perfect time to revisit this unique reimagining of one of cinema’s oldest horror stories. I first saw Nosferatu on […]

Andrew Auclair ’29