by Ian Gualtiere ’27 on September 18, 2025

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Arts & Entertainment

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The world was introduced to the Gallagher brothers in April 1994. Their band, Oasis, had just released “Supersonic,” a single that would define British music for the next decade. A string of hit singles, EPs, and albums would propel the Manchester band into the stratosphere. Helmed by creative lyricist and deadpan older brother, Noel, and brought to life by the nasal voice and erratic behavior of younger brother Liam, Oasis would take to the top of global charts thanks to the anthemic songs of “Live Forever,” “Rock N’ Roll Star,” “Slide Away,” “Wonderwall,” “Don’t Look Back in Anger,” and “Champagne Supernova.” Several years of tabloid headline news, apparent legendary stories, and notable fights between the brothers would continuously follow the band after every tour, rowdy night out, and family get-together. Yet the two would make up and continue playing in the band. 

By the turn of the century, Oasis had cemented themselves as one of the most popular bands in the world with over 49 million copies sold with only three albums: Definitely Maybe (1994), (What’s The Story) Morning Glory? (1996), and Be Here Now (1997). For the next seven years and four albums, sales would begin to dwindle, and audience and critical reception would start to turn. The band would see various lineup changes, and the brothers would continue to take their frustration out on each other, despite being in high demand for concerts and festivals. The end of Oasis occurred in the summer of 2009, after Liam contracted laryngitis and canceled a show in Chelmsford, England. Several days later, on Aug. 28, another canceled appearance in Paris would prompt Noel to release a statement on the band’s website declaring that he was leaving Oasis, stating that he “simply could not go on working with Liam a day longer.” The next 15 years would see bitter tensions between the brothers, public call-outs on television and social media, and proposed reunions for a hefty cost. For the time being, Oasis had remained a pleasant memory for those who experienced their popularity, and an incredible jewel to newcomers who discovered past performances on streaming, television, and documentaries. These sentiments would culminate in a new generation of Oasis fans, calls for a reunion, and overall popularity starting to surge by the early 2020s. Almost 15 years to the very day of the breakup, a new generation was able to witness the announcement of the band reforming and going on tour. All of the band’s social media accounts posted a message with a new image of the brothers on Aug. 27, 2024, stating, “The guns have fallen silent. The stars have aligned. The great wait is over. Come see. It will not be televised.”

The Gallagher brothers’ travel itinerary started in Wales on July 4, and then headed across the border to play shows in London and their hometown of Manchester. The brothers went north to Scotland and then across the Irish Sea to finish the Europe leg of their tour in Dublin, on Aug. 17. The much-anticipated reunion touched down in Toronto for two shows just a week after Dublin and the tour rolled through the American border towards Chicago for a single concert on Aug. 28. The final three locations for Oasis would be held in East Rutherford, NJ; Pasadena, CA; and Mexico City to finally close the curtain on the North American leg of the tour on Sept. 13. Liam, Noel, and company will eventually travel back to London to play two shows in their home country that were added to the tour due to such high demand. The debaucheries, however, do not end in the Western Hemisphere as the band ships off to South Korea, Japan, and Australia for shows in Oct. and Nov. The tour finally ends in South America as the brothers look to play shows in Argentina, Chile, and eventually Brazil. 

Up until this point, nearly 1,917,000 avid fans have lined up for security clearances, bought pints of their favorite beverages, and held their closest friends and relatives to sing along to the reunited Gallagher brothers. I was in attendance for their Dublin show on Aug. 17 in Croke Park. The city was tense, like a family about to host highly esteemed guests for a dinner. Painted murals of Noel and Liam sporting their famous Adidas tracksuits and bucket hats were strewn on nearly every street corner; pubs descended into intoxicated sing-alongs, filled with people trying to belt their hearts out to decades-old songs; and lines of people arrived early to Croke Park, dressed in heavy parkas and John Lennon-esque glasses, in the hopes that they can stand closer to the rock stars than everyone else. My brother and I bought tickets nearly a year ago to stand in the pit of hundreds of avid supporters—drawing deep breaths and personal space were ideas of the past that simply did not matter to us. As the brothers walked out onto the stage, holding hands of reconciliation, utter chaos and jubilation erupted from the nearly 80,000 fans. Many threw their beverages into the air with fervor and started to jump on beat with the music being played. These concerts are not what some critics have called “a money grab from two bitter middle-aged men;” they are the release and relief of a tense world. They have been a refuge for communal love, excitement, and pure rock. As messages of enjoying life, reflecting on the love of music, and defiant individuality (and perhaps a few pints in the middle) were highlighted throughout the Gallaghers’ songs, everyone in the crowd knew that there is a beauty in the experience of life. These concerts are a celebration of life and the promise of living forever. As Noel and Liam flew out of Mexico City this past weekend, fans chanted “¡Viva por siempre!” and “¡Viva Oasis!”

by Mia Gasbarro ’26 on September 18, 2025

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Arts & Entertainment

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The Album That Defines Pop in 2025

When the cover of Sabrina Carpenter’s seventh album, Man’s Best Friend, surfaced online, it quickly sparked debate. The imagery drew strong reactions and garnered conversations about gender and power. Instead of letting the controversy overshadow her work, Carpenter transformed the backlash into buzz. Beyond the controversy, Man’s Best Friend is making headlines as it showcases everything from disco-infused pop songs to beautiful, sad ballads, all of which work cohesively to turn bold imagery into equally bold music. The album has proven to be one of Carpenter’s most ambitious and dynamic projects yet, blending sharp wit with polished pop to secure her place at the center of today’s music conversation. 

Carpenter has come a long way since her debut during her Disney Channel days. Now, she is steadily creating a place in pop music with her strong songwriting and playful energy. Her 2024 album Short n’ Sweet, featuring the viral hit “Espresso,” earned her three MTV VMAs and secured her position as a rising pop star. Building on that momentum, her seventh album, Man’s Best Friend, appears as her boldest and most talked-about project yet, with the album debuting at No. 1 on the Billboard 200. 

Musically, Man’s Best Friend is a bold and vibrant blend of disco-pop and R&B, developing a sound that feels both retro and fresh. Carpenter balances catchy hooks with witty, self-aware lyrics to create songs that are playful and flirty. The album showcases everything from upbeat dance anthems to slower reflective ballads, highlighting her versatility as an artist. Standout tracks like “Manchild” emphasize her ability to blend humor with a polished pop production, while other tracks explore themes of love, control, and self-discovery, adding a surprising element of depth to the album. Overall, the album’s sound reflects Carpenter’s growing confidence and willingness to experiment, making it a cohesive yet unpredictable listening experience. 

Carpenter’s Man’s Best Friend is more than just another chart-topping album—it’s a cultural moment that reflects how today’s artists use music, visuals, and even controversy to start bigger conversations. For students, her rise feels especially relevant: she’s a young artist navigating fame, creativity, and public opinion in real time, much like our generation navigates its own identity in a fast-changing world. This album reminds us that pop culture isn’t just background noise, it’s part of the story of who we are right now. In the end, Man’s Best Friend isn’t just a win for Carpenter, it’s a reminder that pop culture moments shape how our generation connects through music. 

by Ian Gualtiere ’27 on September 19, 2024

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Music

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The world was introduced to the Gallagher brothers in April 1994. Their band, Oasis, had just released “Supersonic,” a single that would define the era of British music for the next decade. A string of hit singles, EPs, and albums would propel the Manchester band into the stratosphere. Helmed by the creative lyricist and deadpan older brother Noel and brought to life by the nasal voice and erratic behavior of younger brother Liam, Oasis would take to the top of global charts thanks to the anthemic songs “Live Forever,” “Rock N’ Roll Star,” “Slide Away,” “Wonderwall,” “Don’t Look Back in Anger,” and “Champagne Supernova.” Several years of tabloid headline news, apparent legendary stories, and notable fights between the two brothers would continuously follow the band after every tour, rowdy night out, and family get-together. One notable explosion would come in 1996 at a taping of the popular concert television series MTV Unplugged, an event where Liam did not show up to rehearsals until a mere hour before taping, eventually arriving heavily intoxicated and unable to sing and prompting Noel to command the stage alone. The image heavily associated with the event would be Liam sitting in the balcony seats with the audience, badgering Noel on stage.

Yet the two would make up and continue playing in the band, even with constant flare-ups and personality clashes. By the turn of the century, Oasis had cemented themselves as one of the most popular bands in the world with over 49 million copies sold with only three albums: Definitely Maybe (1994), (What’s The Story) Morning Glory? (1996), and Be Here Now (1997). For the next seven years and four albums, sales would begin to dwindle, audience and critical reception would start to turn, the band had various lineup changes, and the brothers would continue to vent their frustration out on each other, despite being in high demand for concerts and festivals. The summer of 2009 signaled the end of an era for Oasis after Liam contracted laryngitis and the band dropped out of a festival performance in Chelmsford, England. Several days later, another canceled appearance in Paris would prompt Noel to release a statement on the band’s website declaring that he was leaving Oasis, stating that he “simply could not go on working with Liam a day longer.” With Noel gone, Liam would front the band with remaining members under the name Beady Eye for the next five years until their breakup, which prompted a successful solo career for Liam. Noel would create the band Noel Gallagher’s High Flying Birds, which is still active today. The next 15 years would see bitter tensions between the brothers, public call-outs on television and social media, and proposed reunions for a hefty cost. For the time being, Oasis had remained a pleasant memory for those who experienced their popularity, and an incredible jewel to newcomers who discovered past performances on streaming, television, and documentaries.

These sentiments would culminate in a new generation of Oasis fans, calls for a reunion, and overall popularity starting to surge by the early 2020s. A new generation can witness the announcement of the band reforming and going on tour almost 15 years to the very day of its breakup. All social media accounts of the band posted a message with a new image of the brothers on Aug. 27, stating, “The guns have fallen silent. The stars have aligned. The great wait is over. Come see. It will not be televised.” The news soon followed with announced performances throughout the United Kingdom and the Republic of Ireland with shows in Cardiff, Manchester, London, Edinburgh, and Dublin, all set for the summer of 2025.

Tickets were set to be open for purchase on the morning of Aug. 31. An estimated number of 14 million people applied for a total of 1.4 million tickets that morning, with a mere 10 percent chance of obtaining at least a single ticket. The high volume of traffic across ticket sites caused many websites to crash, expelled people waiting in line, and accused hopeful buyers of being robots. Another issue was the apparent use of dynamic pricing within these systems that caused the price of tickets to drastically increase due to high demand. A statement released by the band claimed they were unaware of this issue, which caused many fans to give up their place in line due to extremely high prices.

These issues have caused many fans to voice backlash against Oasis. Ticket sites such as Ticketmaster, and the overall sequence of events that happened that morning caused almost all tickets to sell out in less than 20 minutes. As for those who were able to obtain tickets, they will be able to enjoy the new Oasis tour that will sweep across the United Kingdom and the Republic of Ireland next summer while many more here in the United States are left to hope for their return from across the pond.

by Chelsea Adonteng '25 on April 20, 2023
Opinion Staff

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Opinion

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Regarded by many as a popular music icon with over 90 million records sold worldwide, Ariana Grande has been in the limelight since she was 13 years old performing on Broadway. With time comes experience, and Grande is well aware of the public scrutiny that accompanies fame and fortune. Recently, Grande posted a short video to TikTok addressing people’s overwhelming concern about her body. In it, she addressed how people often compare her current body to the body she used to have, which she mentioned was during a period of her life when she was at her lowest and unhealthiest. While Grande doesn’t owe her audience an explanation, the fact that such a successful artist felt the need to record an explanation is something that her audience should contemplate. 

Living as a celebrity and even living as a human being in general brings judgment, whether it be from other people through a screen or from people in one’s daily life, especially in a time where all people have some form of social media, leaving them vulnerable to negative comments regarding their appearance. While the Internet has proven itself to be a positive place where people can come together to discuss shared interests and learn about situations around the world, there’s also plenty of evidence to show how people often feel comfortable body-shaming other people because of the confidence they get from being behind a screen. 

Ariana puts it perfectly when she says, “People need to be gentler about commenting on other people’s bodies.” No one is entitled to speak about other people’s physical characteristics, especially when they are unaware of the journey that person has taken to get to the stage of life they’re currently in. Even though celebrities share a large portion of their lives with the media, people need to remember that it doesn’t give them the ability to speak on their personal business or comment on their appearance without knowing what they’re going through physically and mentally, simply because they seem so open. 

Every person’s journey with their body is different, and that journey affects them in different ways, good and bad. Even if a comment might be well-intentioned, focusing on people’s bodies reinforces the idea that one’s physical characteristics are a defining factor to who they are, when in reality, one’s character is just as important. Instead of commenting on people’s appearances, people should work to give comments that aren’t appearance-based and praise other beautiful attributes, such as their creativity or their resilience. Positive compliments about a person’s good qualities can brighten someone’s day, rather than a compliment about appearance, which can be hurtful to one’s self-esteem.  

by Fiona Clarke '23 on March 2, 2023
Portfolio Staff

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Featured Slider

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It is as if water and leaves were muddling at the storm drain,

And I have come to realize

That everything is not enough.

Even here it is all both having and wanting,

And it is as if each bow drawn across the strings were sawing across the heart,

Making a new course through which this desire can run.

It is as if my blood has always run too slowly;

It is as if I had been a bronze bust, darkening,

Against copper trees and blue-washed sky.

It is as if my ear heard nothing before

This harmony—Suttree, tell me,

Are the planets rounder? Can knots be tied in the wind?

Here, it is how we thought riding horses would be,

And us high and weightless and mighty;

It is how running down a steep hill is,

And us frail and all too heavy.

Satisfied that this is everything, I am satisfied:

Everything is not enough.

by The Cowl Editor on April 8, 2022

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Features

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Artists We Should’ve Had For Spring Concert

• Pitbull 
• The Rock 
• Will Smith (ft. Chris Rock) 
• Machine Gun Kelly 
• Frank Sinatra (hologram version)
• Macklemore 
• Doja Cat 
• Kanye West (featuring Skeet)
• Travis Scott 
• Dr. Taylor Swift 
• Shawn Mendes (post breakup tour?)
• Rihanna (post hiatus tour?) 
• Ed Sheeran 
• My Chemical Romance 
• Big Time Rush (without Dixie D’Amelio) (sans Carlos)
• R. Kelly (from prison)
• The Hillbilly Thomists

by John Downey '23 on March 26, 2022
A&E Co-Editor

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Arts & Entertainment

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Old Songs Find New Life on TikTok

How the App Celebrates Multiple Generations of Music

Olivia Riportella ’25

TikTok, one of the world’s most popular social media apps, has proven to be more than just a platform for dancing and silly skits. It has evolved into a bridge between generations, connecting them through music that holds meaning in both the past and the present. Many classic hits, along with lesser-known songs from past eras, have recently been revitalized by young people on the app. Indeed, this new generation of TikTokers is taking these songs to new heights of popularity.

One such song that has found new life on TikTok is “Love Grows (Where My Rosemary Goes).” The 1970 tune from one-hit-wonder Edison Lighthouse was an unlikely pick to resurface 52 years later, but has exploded across the app. To embody the “Rosemary aesthetic,” TikTok users have used the song to post clips of themselves over its opening lyrics, “She ain’t got no money/Her clothes are kinda funny/Her hair is kinda wild and free/Oh but love grows where my Rosemary goes…” As a result of this trend, the old-school pop song saw an astounding growth of 1,490 percent in streams in the 10-day period between Dec. 25, 2021 and Jan. 3. “Love Grows (Where My Rosemary Goes)” even broke into Spotify’s U.S. top 200 Chart, sitting just outside of the top 100. 

Another classic 70s track that has found new life thanks to TikTok is the iconic hit “Dreams” by Fleetwood Mac. When TikTok user “Dogg Face,” whose real name is Nathan Apocada, stole everyone’s hearts with a clip of him skateboarding while holding a bottle of cranberry juice and singing along to “Dreams,” the tune was brought back to life. A whole new generation became enamored with the sweet melody of Stevie Nicks’ soothing serenade. After Apocada’s clip went viral, the song returned to number two on the Rolling Stone 100 chart, reentering commercial charts for the first time in over 40 years. Apocada even received a shoutout from Stevie Nicks and Mick Fleetwood themselves after the reemergence of their hit song prompted the superstars to create their own TikTok accounts. 

A more recent “throwback” that has caught the attention of TikTok users is sister band Aly & AJ’s “Potential Breakup Song.” This 2007 single from the duo, whose full names are Alyson and Amanda Michalka, made an exciting return to popularity due to its angsty teen breakup lyrics that resonated with Gen Z-ers. Clips of young people lip-syncing to the song went viral across the app, bringing about an epic comeback for the Michalka sisters. There was such a resurgence in “Potential Breakup Song” across TikTok that the artists were prompted to re-record the single a decade later—this time, featuring explicit lyrics. One year after their return to the spotlight, the duo dropped their first album in 14 years. 

TikTok has proven to have the uncanny ability to launch songs new and old into the stratosphere. The app’s unique power, combined with Gen Z’s fascination with bygone eras and the proliferation of streaming services in the music industry, makes it possible for even just a song clip to go viral and bring the entire tune to unprecedented popularity. 

by John Downey '23 on February 18, 2022
A&E Co-Editor

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Arts & Entertainment

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2022 iHeartRadio Music Award Nominees Announced

Music Fans Ready to Celebrate the Memorable Songs and Artists of the Past Year

Talia Rueda ’23

Nominations for the 2022 iHeartRadio Music Awards were released on Jan. 27. The nominees represent categories ranging from country music to dance music and constitute the most-listened-to artists and songs of the past year. 

The awards ceremony itself will air live from the Shine Auditorium in Los Angeles on Tuesday, March 22. Not only will the show highlight 2021’s iconic moments in music, but it will also offer music fans an exclusive look into what they can expect from their favorite artists in the coming year.

Notably, while the nominations have been released, many other details regarding the awards ceremony have yet to be announced, including the line-up of performers, which is one of the main reasons why fans tune into the iHeartRadio Music Awards.

This mystery surrounding the show’s production, however, effectively works to generate excitement about the ceremony among fans and in the media. Indeed, it prompts excited speculation about the possibilities of star-studded lineups and never-before-seen-collaborations. 

Another fun aspect of the iHeartRadio Music Awards is that they allow music fans to focus on artists and projects that they may have forgotten about over the course of the previous year, given how many artists release new material throughout the 12 months since the last ceremony.

One category in which this is typically not the case, however, is song of the year. The artists nominated in this category are those whose tracks have consistently met with great critical and commercial success throughout the year and are certainly recognizable to any music fan. This year’s nominees are “Bad Habits” by Ed Sheeran, “drivers license” by Olivia Rodrigo, “Easy On Me” by Adele, “Kiss Me More” by Doja Cat featuring SZA, “Leave The Door Open” by Silk Sonic, “Levitating” by Dua Lipa, “MONTERO (Call Me By Your Name)” by Lil Nas X, “Peaches” by Justin Bieber featuring Daniel Caesar & Giveon, “positions” by Ariana Grande, and “Stay” by The Kid LAROI & Justin Bieber.

The iHeartRadio Music Awards are also exciting for music fans because of the wide range of categories in which artists can be nominated: no matter one’s taste in music, there is certain to be a category that they are excited for, especially since there are several categories whose winners are decided by viewers.

For example, one “socially voted category” recognizes America’s favorite TikTok song. This year’s nominations for the category are: “Beggin’” by Måneskin, “good 4 u” by Olivia Rodrigo, “Just For Me” by PinkPantheress, “Kiss Me More” by Doja Cat featuring SZA, “MONTERO (Call Me By Your Name)” by Lil Nas X, “Stay” by The Kid LAROI & Justin Bieber, “Thot Sh*t” by Megan Thee Stallion, “TWINNEM” by Coi Leray, “Up” by Cardi B, and “Woman” by Doja Cat.

Thus, while the iHeartRadio Music Awards recognize today’s most popular musicians and their moving works, they nominate and awards these musicians with the ordinary people listening to this music in mind, whether that be through the ceremony’s more traditional-style awards in which the organization itself recognizes the artists they believe best represented a certain musical genre to listeners or through the newer style of awards that allows listeners, themselves, to decide the best of the best. 

For this reason, while the iHeartRadio Music Awards will only be holding its ninth award show this year, it is sure to solidify its place in the long tradition of music awards shows for years to come. 

by The Cowl Editor on December 11, 2021

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Arts & Entertainment

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Long Live the Legacy of Taylor Swift

How the Artist’s Career has Already Blazed Trails for New Stars

Julia McCoy ’22

How does society judge an artist’s influence? Success is often judged not only by their accolades, but also by their ability to influence future generations of artists. That is exactly what Taylor Swift has been able to do throughout her career. Even more impressive: she’s only 31 years old (32 later this month). 

Since her debut album, Taylor Swift, hit the radio in Oct. 2006, Swift has accumulated eleven Grammy awards and become the most decorated artist in American Music Awards history. Swift has released nine studio albums and is beginning to re-record those albums that she does not yet have ownership of, with two of them already released this year. 

Something that the well-decorated artist has been aware of, however, is the possible ephemerality of her career and fame. On her re-recorded album, Red (Taylor’s Version), Swift released a song “from the Vault” featuring Phoebe Bridgers titled “Nothing New.” Originally written in 2012, it speaks to Swift’s fears of losing her “radiance” as she gets older. Listeners were quick to notice the way that these lines resonate with Swift’s career today. Swift sings that new artists will use her as inspiration: “She’ll know the way and then she’ll say she got the map from me./I’ll say I’m happy for her/ Then I’ll cry myself to sleep.” At 22, Swift clearly feared what the future might hold for her. A decade later, those stars that “got the map” from Swift are luckily also blessed with her devoted support. 

Swift’s success on the stage is only complemented by the impact that she has had on younger artists and a newer generation of music. In 2021, artists like Olivia Rodrigo, Conan Gray, and Maisie Peters are among the most prominent “Swifties” gaining their own success in the music industry. 

Rodrigo’s Sour is steeped in Swift’s influence. Her song, “1 step forward, 3 steps back,” features an interpolation of Swift’s “New Year’s Day” from reputation. After Rodrigo’s hit “driver’s license” broke records, Swift reached out as a friend and mentor to for the young artist. When sharing the iTunes charts together earlier this year, Swift commented on Rodrigo’s post, saying, “I say that’s my baby and I’m really proud,” a quote inspired by Swift’s own mother at the beginning of her career. Rodrigo now sports a ring gifted by Swift that is similar to the style that the elder singer wore while recording Red. 

When Swift lauded Gray’s song “Wish You Were Sober” on her Instagram Story, Gray responded, “I honestly feel like you raised me both as a writer and a human and I cannot express in words how much this means to me.” Rodrigo and Gray were each given an exclusive first listen to Fearless (Taylor’s Version) and were tasked with advertising the first re-recorded album on TikTok. They often identify themselves as Swift’s children, calling her “mom” because of her influence on their careers. 

Lastly, Peters is also a fan and took inspiration from Swift’s writing style this year. On July 24, 2020—the day that Swift’s folklore album was released—Peters found inspiration in Swift’s storytelling in “betty” to write her own story-like song, “Outdoor Pool.” She was able to understand through Swift that she could craft experiences based on different perspectives. 

Swift’s “Nothing New” opened her audience’s eyes to how she feels about her career and legacy. As she seamlessly moves through different creative periods, Swift’s words and work blaze a trail for generations to follow. And they’ve already started. 

by The Cowl Editor on December 11, 2021

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Arts & Entertainment

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A Fantastic Weekend of Concerts at PC

Orchestra, A Cappella, and More!

Jack Downey ’23

Over the past week, there were many concerts at Providence College as the semester begins to wind down. The first was a performance at 4:00 p.m. on Dec. 3 featuring the PC Orchestra. Helmed by Dr. Sang Woo Kang, the talented musicians captivated the sizable audience with several classical standards such as “Concerto No. 4 in F minor” by Antonio Vivaldi. This song in particular featured absolutely outstanding work by concertmaster Hashim Hassan ’23, though it cannot be understated how well the blend of PC students and local musicians performed throughout the duration of the show.

Later that night, at 7:00 p.m., the PC jazz band, directed by Dr. Eric Melley, took the stage over at ’64 Hall. The band came out at full force with the Sonny Rollins standard “Tenor Madness,” featuring a blazing solo by tenor sax player Tommy “T-Bone” Hebert ’23. As the set progressed, the band took on all different styles of music, the most surprising of which being ’80s pop. Grace Maffucci ’22 joined the group on stage for a couple of songs, the last being “Time After Time” by Cyndi Lauper. Despite the fact that this song is anything but jazzy, the band’s sparse rendition, accompanied by Maffucci’s standout vocals, made it one of the concert’s highlights.

Saturday saw the long-awaited return of rock band St. Joe and the Dorms. Donning Christmas-themed clothing for this performance, the trio tore the roof off McPhail’s with a mixture of rock classics and holiday staples, including Wham’s “Last Christmas,” Chuck Berry’s “Run Rudolph Run,” and Bruce Springsteen’s take of “Santa Claus is Coming to Town.” Conrad Drezek ’25 held nothing back with his drumming, Griffin May ’24 captivated the audience with his guitar playing and charisma, and yours truly held down the fort on bass and vocals, even if that meant nearly suffering a concussion after flying backwards during one of the more energetic songs. One must face physical injury in the name of rock, after all.

Also on Saturday was Lessons and Carols. Returning after a year of hiatus, PC’s Liturgical Choir and PC’s Chorus joined together and performed classical church hymnals and carols to ring in the season. The combination of music and Gospel readings truly added to the experience. Some highlights included the beginning of the service, with solos by Maffucci and Logan Johnson ’23, as well as cantoring by W. Cole Patno ’24. Another memorable moment came when Dominican Schola joined the combined group to sing a Gregorian chant. Presiding over Lessons and Carols was Father  Kenneth Sicard, O.P., President of Providence College.

One would be remiss not to mention the a cappella concerts that occurred this past weekend. The three groups, Strictly Speaking, Anaclastic, and Special Guest, held two shows. The first fell on Dec. 3 at  7:30 p.m.; the second, Sunday at 3:00 p.m. Having two shows turned out to be a prudent move, since people absolutely packed Smith Concert Hall to see the groups perform. First on stage was Anaclastic, the all-female group. The audience was left speechless by the beautiful harmonies and powerful solos that radiated from the stage, the natural reverb of the concert hall making the group sound like one three times their size. 

After them came Strictly Speaking, the co-ed group. They had the audience raving as they sang their way through multiple fan favorites, including Lorde’s “Bravado,” which was led amazingly by Grace Stewart ’23. The set closed with Bastille’s hit “Pompeii,” with Jack Wilmot ’24 taking lead as the rest of the group dutifully backed him up throughout. 

The final of the three to perform was the all-male group, Special Guest. Coming out with gusto, the group grabbed the attention of those in attendance with their clothes, which featured blazers and turtlenecks, as well as their entertaining stage presence. The latter was exemplified by members of the group dancing during some of the songs. One of the highlights was The Bee Gees’ “More Than A Woman,” which featured Dom DaSilva ’24 on lead vocals. Their set concluded with a show-stopping rendition of Silk Sonic’s “Leave The Door Open” with solos by Christian Willett ’24 and Nolan Donato ’22, and on that note, the door closed.

This past weekend was truly an eventful one for music at Providence College, and it was great to see how positive of a reaction each event received. Hopefully, such musical events at Providence College will be met with this appreciation next semester and for years to come.