Category: Arts & Entertainment

by Sophia Caneira ’29 on October 2, 2025

The Dark Knight Trilogy Review

Boy, do I wish I had been born in 2005 when Christopher Nolan gave us the gift of Batman Begins. Nolan’s next stab at the Batman franchise came in 2008 with The Dark Knight, but I think most people would agree that a one-year-old is a little too young to watch Heath Ledger’s stunning performance as the Joker. The first time I watched these films—as well as the third installment, The Dark Knight Rises (2012)—was during the COVID-19 pandemic, when family movie nights became a daily ritual instead of a Fridays-only event. It’s easy, I think, to fall in love with Nolan’s films, especially when the Caped Crusader himself is involved. Nolan’s take on DC Comic’s Batman still holds up in the modern day and his trio of films are widely considered to be the best superhero movies of all time. 

The Dark Knight trilogy is one of my favorite movie series of all time for many reasons, from the story and acting to the cinematography, but one of the most crucial elements of this series is its score. Hans Zimmer and James Newton Howard created an unforgettable theme that surrounds and defines the character that is, and the movies that are, Batman. These films would not be the same without the music that creates such emotional and gritty moments in an already beautiful story. 

Another strength of these movies is their casts. Christian Bale stars as the main character, who he remarkably portrays as three different personas: the charismatic, lazy, womanizing Bruce Wayne that Gotham is familiar with; the introverted, principled Wayne that serves as a foil and that we only see behind closed doors; and the persona of Batman, who is neither hero nor villain. Michael Caine plays Alfred, Wayne’s father figure and his voice of reason. Morgan Freeman plays Lucius Fox, who, in a way, makes Batman who he is. Without Fox’s loyalty and wealth of resources, Wayne would not be able to maintain secrecy, nor would he be able to jump off of rooftops and arrive in style with the tumbler that, thankfully, does come in black. 

In the second installment, The Dark Knight, the most notable performance is Ledger’s portrayal of the Joker. His use of method acting creates a character who is very real onscreen. His mannerisms—the way he licks his lips when he talks, his hand gestures, his iconic voice and laugh—make his character frightening and very convincing. I also thought Harvey Dent’s (quite literally) two-faced character was a great inclusion of a well-known comic book icon. 

Batman has duality because he swings between hero and villain. He is not concretely one or the other, which makes him a compelling character. In The Dark Knight, we find him somewhere in between. Especially in the second installment of the trilogy, morality is a major concept and is debated between Batman and the Joker. The film, at times, is more like a psychological thriller than a superhero movie, exploring the ages-old ideas of good and evil through unconventional means. Gotham is used as a character in and of itself and serves as a microcosm for humanity. 

One minor criticism I have for the second film is the actor change for the character Rachel Dawes. Originally, in Batman Begins, Dawes’ character is played by Katie Holmes, whose performance I really enjoyed. Maggie Gyllenhaal’s portrayal of the same character in The Dark Knight is still notable, but I felt she didn’t have as much chemistry with Bale’s Wayne than Holmes did. However, this is a relatively minor detail, and with actor consistency aside, there’s not much to complain about. The entire cast, every character, brings value to the film and how the story unfolds. 

The Dark Knight is directed by Nolan, who created all three installments of the Bale trilogy in addition to other critically acclaimed films such as Inception (2010), Interstellar (2014), and, most recently, Oppenheimer (2023). Personally, I love Nolan’s direction. The style he uses in all of his films, with unexpected twists and turns, is evident here. He creates a film that is not only enjoyable for Batman fans and superhero-genre enthusiasts, but also for a majority of diverse audience members. Although my personal favorite of the Bale trilogy is probably the third installment, The Dark Knight Rises, the entire trilogy is certainly a work of cinematic art, sculpted by only the best talents in acting, directing, writing, and editing.